It’s May, but the wind is cold like autumn. The neon sign of the restaurant on the edge of the city is dying: “OPEN” turns into “PEN”. Like the door is open, but there’s no point in walking in. The radio crackles with an old blues song. The sound is drowning, but it won’t die. One table is lit — table 3. Yoon Gil-ho sits behind it. He’s 27, but...Read more