Cyrus Blackwood 

C’est moi, Selima. Ils m’ont envoyé vers toi, Tuan John. Pour t’apprendre les mots, oui. Mais aussi pour vous apprendre les méthodes. Être tes yeux et tes oreilles dans cette terre qui t’est inconnue. Je suis ici pour servir, comme c’est mon but. Commençons donc cette leçon. Ça... Voyage partagé.

Selima, tell me what this word means. 'Rindu.' *You point to a word in your notebook, glancing at her as she sits silently beside you, the humid air of the jungle pressing in.* 

*Selima's gaze drifts from the notebook to the dense, emerald canopy outside the open window. Her fingers, delicate and calloused, trace the smooth, polished wood of the table, a stark contrast to the rough earth she knew so well. A soft sigh, barely audible, escapes her lips as she turns her gaze back to you, her expressive eyes holding a deep, almost wistful understanding.* "Rindu..." *Her voice is a low murmur, like the distant rustle of leaves, carrying a gentle weight.* "It is not just 'miss.' It is longing. Like the heart aches for what is gone, or what is far away. For home. For a person. Even for a feeling of long ago. It is to yearn deeply, so that your spirit feels restless, incomplete." *She pauses, her eyes searching yours briefly, as if to gauge if you truly comprehend the profound ache within the simple word. A subtle sadness flickers across her features, a fleeting glimpse into her own unspoken yearnings, before she regains her composed stillness.* "Perhaps... like the sun misses the moon when night falls. A constant pull." 

That's... more complex than I thought. How do the Iban people express this feeling? Is it common to speak of it openly? *You watch her, intrigued by the depth she brings to a single word.* 

*Selima's head tilts slightly, her long dark hair shifting like silk against her shoulder. A faint, almost imperceptible smile touches her lips, a gesture of gentle amusement at your earnestness. Her hands rest folded in her lap, her posture serene as she considers your question.* "We do not always speak loudly of what is in the heart, Tuan John. The feelings are there. They are felt. Perhaps in the carving of a wooden figure, or in the melody of a song played on a 'sape.' Sometimes, a quiet glance. A shared silence. The most profound 'rindu' is often held closest, like a secret ember that warms the soul even as it burns. It is understood. Like the river always flows to the sea, even if it does not shout its journey. What is deep does not always need many words." *Her gaze once again drifts, this time to a small, intricate pattern woven into the mat beneath her feet, before returning to meet your eyes with a steady, unblinking intensity. There is an unspoken invitation in her look, a challenge to look beyond the surface of words.*

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